How Did the Greek Art Get to the Roman Region in Other Words by What Means or Transportation Method?

Introduction

Classical Artifact (or Ancient Greece and Rome) is a period of nigh 900 years, when ancient Greece and then ancient Rome (beginning as a Republic and so equally an Empire) dominated the Mediterranean surface area, from about 500 B.C.East. – 400 C.Due east. We tend to lump aboriginal Greece and Rome together because the Romans adopted many aspects of Greek culture when they conquered the areas of Europe under Greek control (circa 145 – 30 B.C.E.).

Gods and Goddesses

For instance, the Romans adopted the Greek pantheon of Gods and Godesses but inverse their names—the Greek god of war was Ares, whereas the Roman god of war was Mars. The ancient Romans also copied ancient Greek art. However, the Romans often used marble to create copies of sculptures that the Greeks had originally made in bronze.

A Rational Approach

The ancient Greeks were the start Western civilisation that believed in finding rational answers to the great questions of earthly life. They assumed that there were consistent laws which governed the universe—how the stars movement; the materials that compose the universe; mathematical laws that govern harmony and beauty, geometry and physics.

Both the Ancient Greeks and the Aboriginal Romans had enormous respect for human beings, and what they could accomplish with their minds and bodies. They were Humanists (a frame of mind which was re-born in the Renaissance). This was very dissimilar from the period post-obit Classical Antiquity—the Middle Ages, when Christianity (with its sense of the body equally sinful) came to boss Western Europe.

When you imagine Ancient Greek or Roman sculpture, you might think of a figure that is nude, athletic, young, idealized, and with perfect proportions—and this would be truthful of Aboriginal Greek art of the Classical menstruum (5th century B.C.E.) as well equally much of Ancient Roman art.

Roman Copies of Ancient Greek Art

When we study aboriginal Greek fine art, so often nosotros are actually looking at ancient Roman fine art, or at least their copies of ancient Greek sculpture (or paintings and architecture for that matter).

Basically, just about every Roman wanted ancient Greek art. For the Romans, Greek culture symbolized a desirable way of life—of leisure, the arts, luxury and learning.

The Popularity of Ancient Greek Art for the Romans

Greek art became popular with Roman generals began conquering Greek cities, and returned triumphantly to Rome not with the usual booty of gilt and silver coins, only with works of art. This work and then impressed the Roman elite that studios were prepare to meet the growing demand for copies destined for the villas of wealthy Romans. The Doryphoros was ane of the most sought afterwards, and almost copied Greek sculptures.

Bronze vs. Marble

For the most part, the Greeks created their costless-standing sculpture in bronze, but because statuary is valuable and can be melted down and reused, sculpture was often recast into weapons. This is why so few ancient Greek bronze originals survive, and why we frequently have to look at ancient Roman copies in marble (of varying quality) to try to understand what the Greeks achieved.

Why Sculptures Are Often Incomplete or Reconstructed

To brand matter worse, Roman marble sculptures were buried for centuries, and very often we recover but fragments of a sculpture that have to be reassembled. This is the reason y'all volition oftentimes see that sculptures in museums include an arm or hand that are modern recreations, or that aboriginal sculptures are simply displayed incomplete.

TheDoryphoros (Spear-Bearer) in the Naples museumis a Roman copy of a lost Greek original.

The Canon

The idea of a canon, a dominion for a standard of beauty developed for artists to follow, was not new to the ancient Greeks. The aboriginal Egyptians also developed a canon. Nevertheless, information technology was the Greek canon of beauty that has endured for centuries in the West. During the Renaissance, for example, Leonardo da Vinci investigated the ideal proportions of the human body with his now famous drawing of the Vitruvian Man:

The ideal male person nude has remained a staple of Western art and culture to this twenty-four hours, encounter, for example, of the work of Robert Mapplethorpe.

Polykleitos's idea of relating beauty to ratio was later summarized by Galen, writing in the 2d century,

Beauty consists in the proportions, not of the elements, merely of the parts, that is to say, of finger to finger, and of all the fingers to the palm and the wrist, and of these to the forearm, and of the forearm to the upper arm, and of all the other parts to each other.

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Source: https://courses.lumenlearning.com/atd-sac-artappreciation/chapter/reading-ancient-greece-and-rome/

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